THE DAILY GRUNT
A SURVEY
OF BAD LANGUAGE IN FILMS ON TERRESTRIAL TELEVISION From January to June 2003
News Flash:
ITV Teletext Poll, 17/7/2003, asked if swearing on television was offensive.
2,723
voted, 96% said 'YES', 4% said 'NO'.
D |
uring the 2003 Wimbledon Lawn Tennis Championship Greg Rusedski uttered
a number of "audible obscenities" before the conclusion of his second
round match. For this the All England
Tennis Club fined him $2,500. Mr
Rusedski's displeasure was covered widely in the media and one newspaper
printed his outburst in its entirety.
It also led to a much wider debate about bad language and whether, 'in this day and age', we should be concerned at all about bad language, regarded by some now as commonplace and unexceptional. It is argued glibly that 'times have changed' and, as a society, we are no longer concerned about obscene words and phrases that most certainly caused offence in the past.
In interviews mediawatch-uk officials blamed film and television for contributing significantly to the revolution that has normalised obscene language in the forty or so years since the f*** word was first used on television. The evidence in this report shows, far from there being a natural evolution in language, there has been a consistent effort to promote obscenity, swearing and profanity against the wishes of most people.
It is well known that the viewing and listening public generally dislikes the transmission into their homes of bad language which gives rise to a very great deal of offence. This is particularly so with regard to the use of holy names (Jesus and/or Christ) used as expletives.
The broadcasters
have known this for many years and we recall, for example, that the Annan
Committee, which published a report on the Future of Broadcasting more than
twenty five years ago, concluded, from the correspondence received, that bad
language on television was the cause of considerable and widespread public
offence.
REGULATION
T |
hat the broadcasting authorities apparently regard the matter seriously is evident from the way the subject is treated in the Codes and Guidelines. The frequency and worsening nature of bad language in programmes, however, indicates how little attention is paid to them.
The BBC's Producers' Guidelines, currently in force, recognises that:
"strong language is a subject of deep concern to many people and is one of the most frequent causes of complaint." However, it goes on "in the right context strong language may cause little offence and in some situations it may be wholly justified in the interests of authenticity … Offence is often caused by the casual use of names considered holy by believers, for example the use of 'Jesus Christ' or 'God' or of names held holy by other faiths … Certain, mainly four-letter, words must not be used … without advance reference to and approval from Channel or Network Controllers of domestic services …"
The Programme Code of the Independent Television Commission, issued in April 2001, states:
"There is no absolute ban on the use of bad language. But many people are offended, some of them deeply, by the use of bad language, including expletives with a religious (and not only Christian) association. Offence is most likely if the language is contrary to audience expectation. Bad language must be defensible in terms of context and scheduling with warnings where appropriate."
The Code of Guidance of the Broadcasting Standards Commission issued in June 1998 suggests that:
"the use of language of all kinds is never static … and … levels of offence undergo constant change … There is also a concern that, in constant use, expletives can represent an impoverishment of language and a barrier to communication"
It goes on:
"Research has indicated that audiences consider the use of bad language to be unacceptable in certain circumstances and its repetitive use was disliked by 86% of respondents."
In 1991 the Broadcasting Standards Council (as it was then called) undertook a survey of public attitudes to broadcasting language and published a monograph entitled 'A Matter of Manners?' This monograph set out to analyse public perceptions and to discover the degree of offence caused by 'bad language'. Most respondents agreed that swearing 'in extremis' is understandable and therefore somewhat justifiable than in every day conversation. Distinctions were made between 'mild' and 'strong' words and how different age groups regarded bad language. A similar study, published in June 1999, found that bad language before the 9.00pm watershed is strongly disapproved of and half the sample in the survey think there is "too much" bad language on television.
In the Independent Television Commission's Annual Report for 2002 it is recorded that a total of 295 programme complaints concerned language. It should be noted that this figure does not include complaints sent to ITV companies. Only 20 of these were considered by the ITC to breach the Programme Code indicating a serious weakness in the Code and in its interpretation. The Annual Report for 2001 showed a total of 172 complaints about language, the Report for 2000 showed a total of 186 complaints, which, at around 5% of the total, remained constant.
We acknowledge that the number of complaints sent to the ITC is small relative to the number of viewers. However, this is to be expected because the viewing public is never invited to comment upon programmes. Moreover, on the rare occasions when the ITC reminds ITV viewers that it is there to "ITC some common sense" it implies that viewers can trust it to regulate effectively. Those who do complain have to go to some trouble to find the address and telephone number for the ITC, which is not advertised in such sporadic 'public information' commercials.
The Broadcasting Standards Commission in its Annual Review of 2002 states:
"Swearing and offensive language continue to provide a substantial postbag for the Commission. This often relates to the use of mild or medium-rated swearwords prior to the Watershed. Although the Commission understands that some swearing can occur in error, broadcasters should take account of the preferences of viewers, particularly when it comes to pre-Watershed viewing. We have also received a number of complaints about the gratuitous, post-Watershed use of swearwords that many consider to be the strongest in use. Whilst the Commission has, on occasion, accepted the justification for the use of such language, it continues to urge broadcasters to guard against the casual and gratuitous use of swearing."
Such a request
would be vested with meaning if the Commission upheld more justifiable
complaints about bad language on television.
Overall the BSC upholds only
about 10% of complaints. This means
that even fewer complaints about bad language are upheld on grounds that have
nothing to do with the language that has caused the complaint. For example, 'a warning was given', 'the
programme was scheduled late at night', or in the opinion of the BSC 'it was
unlikely to have caused widespread offence'.
This creates the impression to film and TV programme
makers that the inclusion of bad language in is unlikely to lead to regulatory
intervention or sanction.
The record of the Broadcasting Standards Council/Commission in failing to uphold complaints tells its own story. Complaints about bad language in the following selection of films were not upheld:
'The Accused', 'Cocktail', '48 Hours',
'Revenge', 'Internal Affairs', 'The Cook, the thief, his wife and her lover',
'Lethal Weapon', 'Basic Instinct', 'The Doors', 'Homicide', 'Rita, Sue and Bob
Too', 'JFK', 'Final Analysis', 'Breathless', 'The Bodyguard', 'Rapid Fire',
'Mortal Thoughts', 'China O'Brien', 'Thelma and Louise', 'Bandit Queen', 'Year
of the Gun', 'Reservoir Dogs', 'I.D.', 'Blue Collar', 'Pulp Fiction'.
FINDINGS
I |
n this report a total of 60 films shown on the five terrestrial
television channels from January to June 2003 are analysed for bad
language. Of the 60 films 6 were shown
on BBC1, 2 on BBC2, 11 on ITV1, 16 on Channel 4 and 25 on five.
With the exception of 'Guinevere' on BBC2, all of the films have been shown previously and some up to seven times in the last ten years. This again indicates that the Code and Guidelines are ignored and that there is a degree of intransigence that is inappropriate for broadcasting organisations claiming a 'public service' remit.
We acknowledge that this is only a small proportion of the total of 1396 films shown in the period and all except one, 'Nadine', were shown at or later that 9.00pm.
In one film, 'Point Break' the volume and speed of the bad language was such that not all of it could be recorded.
We have focused, firstly, on two words 'S***' and 'F***' and their derivatives, because these are by far the most common swear words used in the films in this survey. Secondly, we have focused on Holy Names Jesus and/or Christ because the broadcasting Codes and Guidelines specifically mention them.
FILM TITLE |
CHANNEL |
DATE |
TIME |
'S***' |
'F***' |
'Jesus' / 'Christ' |
Sleeping
With The Enemy |
ITV1 |
3.01.03 |
12.00m't |
4 |
2 |
1 |
Suspect |
C5 |
4.01.03 |
9.00pm |
8 |
2 |
|
Boiling
Point |
BBC1 |
10.01.03 |
12.50am |
19 |
|
6 |
Colors |
ITV1 |
10.01.03 |
12.35am |
13 |
53 |
1 |
Freeway |
C4 |
10.01.03 |
1.30am |
14 |
52 |
|
Mean
Streets |
ITV1 |
11.01.03 |
12.20am |
17 |
28 |
5 |
Midnight
Express |
C5 |
20.01.03 |
10.35pm |
13 |
16 |
4 |
Breathless |
C5 |
21.01.03 |
11.25pm |
8 |
10 |
1 |
Manhunter |
C4 |
1.02.03 |
10.05pm |
1 |
5 |
3 |
Pretty
Woman |
ITV1 |
4.02.03 |
9.00pm |
6 |
2 |
|
Dirty
Harry |
C5 |
12.02.03 |
9.00pm |
3 |
1 |
5 |
Sleepers |
C4 |
16.02.03 |
10.00pm |
12 |
35 |
|
Mallrats |
BBC1 |
17.02.03 |
12.50am |
31 |
27 |
9 |
Bitter
Moon |
C4 |
26.02.03 |
11.35pm |
4 |
11 |
7 |
Basic
Instinct |
C5 |
27.02.03 |
10.00pm |
7 |
17 |
2 |
The
Russia House |
ITV1 |
4.03.03 |
12.15am |
7 |
|
6 |
Demolition
Man |
C5 |
5.03.03 |
9.00pm |
21 |
13 |
|
White
Men Can't Jump |
C5 |
9.0303 |
9.00pm |
53 |
90 |
2 |
Cadillac
Man |
C5 |
15.03.03 |
2.10am |
32 |
26 |
3 |
Black
Widow |
C4 |
16.03.03 |
12.00m't |
3 |
|
3 |
Jumpin'
Jack Flash |
C4 |
16.0303 |
2.00am |
8 |
|
4 |
Rising
Sun |
C5 |
16.03.03
|
9.00pm |
22 |
29 |
5 |
Striking
Distance |
C5 |
17.03.03 |
9.00pm |
13 |
10 |
2 |
Black
Rain |
C5 |
19.03.03 |
9.00pm |
12 |
|
3 |
Gunmen |
C5 |
20.03.03 |
10.10pm |
9 |
15 |
3 |
The
Color Of Money |
ITV1 |
25.03.03 |
11.30pm |
11 |
9 |
7 |
Goodfellas |
C5 |
28.03.03 |
10.00pm |
|
212 |
4 |
Buster |
C5 |
29.03.03 |
11.10pm |
3 |
|
13 |
Gun
Crazy |
C5 |
29.03.03 |
2.00am |
10 |
8 |
8 |
Pink
Cadillac |
C5 |
5.04.03 |
10.55pm |
8 |
1 |
1 |
Blue
Steel |
C4 |
7.04.03 |
12.05am |
12 |
21 |
5 |
Clockers |
BBC2 |
11.04.03 |
11.35pm |
37 |
94 |
|
Billy
Bathgate |
C5 |
18.0403 |
10.00pm |
6 |
7 |
2 |
American
Graffiti |
ITV1 |
21.04.03 |
12.50am |
11 |
|
10 |
Things
To Do In Denver When You're Dead |
C4 |
21.04.03 |
12.25am |
22 |
80 |
1 |
Heathers |
C4 |
23.04.03 |
12.15am |
13 |
15 |
4 |
Fortress |
C5 |
24.04.03 |
10.10pm |
14 |
19 |
1 |
Point
Break |
C5 |
5.05.03 |
9.00pm |
17 |
31 |
8 |
Raging
Bull |
C4 |
5.05.03 |
12.05am |
10 |
88 |
4 |
Body
Heat |
BBC1 |
10.05.03 |
11.25pm |
6 |
9 |
7 |
Double
Impact |
C5 |
11.05.03 |
9.00pm |
5 |
7 |
1 |
Rapid
Fire |
C5 |
16.05.03 |
9.00pm |
11 |
11 |
5 |
Escape
From New York |
C4 |
17.05.03 |
9.05pm |
8 |
2 |
1 |
Nadine |
C5 |
18.05.03 |
1.10pm |
8 |
|
|
Universal
Soldier |
C5 |
18.05.03 |
9.00pm |
7 |
4 |
4 |
Alien
3 |
C4 |
22.05.03 |
10.40pm |
16 |
12 |
2 |
Fatal
Beauty |
BBC1 |
25.05.03 |
11.50pm |
26 |
1 |
12 |
Internal
Affairs |
C5 |
26.05.03 |
9.00pm |
8 |
24 |
|
Mississippi
Burning |
ITV1 |
31.05.03 |
12.30am |
9 |
7 |
|
Reservoir
Dogs |
C4 |
1.06.03 |
11.15pm |
39 |
197 |
10 |
Southern
Comfort |
C5 |
4.06.03 |
9.00pm |
27 |
1 |
3 |
No
Escape |
BBC1 |
6.06.03 |
11.25pm |
7 |
|
1 |
City
Slickers |
C4 |
14.06.03 |
9.35pm |
17 |
|
3 |
Total
Recall |
BBC1 |
14.06.03 |
10.25pm |
19 |
24 |
|
Guinevere |
BBC2 |
15.06.03 |
11.55pm |
1 |
8 |
1 |
Fatal
Attraction |
C4 |
19.06.03 |
11.10pm |
3 |
4 |
3 |
Sea
Of Love |
ITV1 |
20.06.03 |
11.00pm |
8 |
|
3 |
Tequila
Sunrise |
ITV1 |
27.06.03 |
12.45am |
13 |
11 |
7 |
Bad
Boys |
C4 |
28.06.03 |
10.35pm |
62 |
76 |
2 |
Stakeout |
ITV1 |
28.06.03 |
10.20pm |
13 |
2 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
In the 60 films the word S*** and its derivatives
occurred 827 times, the word F*** and its derivatives occurred 1429 times and JESUS
and/or CHRIST used as expletives occurred 221 times
Derivatives include:
S*** HEAD, SH***Y, BULL S***, HORSE S***, CHICKEN S***, HOLY S***.
F***ED, F***ER, F***ING, MOTHER F***ER.
Other swear words used less frequently as terms of abuse or insult were:
A*SE, A*SE HOLE, B*STARD, B*GGER, C*CKSUCKER, P*ICK, W*NKER.
In some films most of the bad language is used by:
Police officers, detectives, women, youths and, sometimes, children.
In most films bad language is
associated with violent criminal action or in dramatic scenes or moments of
high tension but a great deal is also used in conversation. Most bad language is entirely gratuitous and indicates a limited
vocabulary, a very poor grasp of the English language and sets a very bad
example. Very little can be justified
honestly on the grounds of authenticity or context.
In 'Freeway' one character is asked "Do you suck cock?"; in 'Guncrazy' a character calls out "Hey, sperm bank"; in 'Internal Affairs' a character says "She liked it in the fucking arse"; in 'Nadine' an insulting term of racial abuse "no good shitless white trash" is used.
Thankfully, the use of the word 'C***' remains rare occurring only once in 'Mean Streets' and once in 'Things to do in Denver when You're Dead'.
The volume of bad language, which can be obscene, abusive and insulting, is incomprehensible and can only be explained by a desire among some film makers to undermine the English language. The use of the word 'SHIT' in various contexts, instead of proper descriptive words, adds weight to this general conclusion. For example: "You don't know shit", "That don't mean shit", "I ain't takin' that shit from you".
MEDIA ILLITERACY!
T |
he effect of this on
educational standards and communication skills has been devastating. Walk down any high street, sit on any train
or bus and it is evident that 'f***' words are used in normal conversation
among people without the slightest regard for those around them. It is also an integral element of the
aggressive anti social behaviour that the Government and wider society is at
pains to combat with ever tougher punitive measures.
It was recently reported (Daily Mail 3 July 2003) that a fourteen year old girl said to a teacher:
"I told you, sad bitch, if you can't be bothered to teach us, you can just f*** off."
Moreover, the National Literacy Trust recently reported (Daily Mail 2 June 2003) that "youngsters raised on a diet of television and computer games are to be given speaking lessons". Experts blame the decline in language skills on today's 'daily grunt' culture in which parents let their children spend hours in front of the television or computer instead of talking to them. This initiative will undoubtedly place an additional burden on educational resources that would not have to be spent if television, in particular, improved the language it uses to communicate with audiences.
The Broadcasting Standards Commission recently reported that children are watching up to two-and-a-half hours of television each day and for more than three quarters of the time young viewers watch programmes made for adults. (The Times 10 June 2003). This is hardly surprising since many children have their own television sets and video recorders which they tend to watch in their own rooms and without supervision.
In recent years greater emphasis has been placed on advising viewers in warnings, before programmes begin, that "strong" language is included, sometimes "from the outset". Whilst this is helpful to those wanting to avoid offence, this way of justifying bad language is no good if the warning is missed.
We note that some daily newspapers and weekly programme magazines provide rudimentary information on the content of films. In the week from 12-18 July 2003, for example, 30 out of 56 films shown on the five terrestrial TV channels included violence, sex scenes, nudity, swearing and drug abuse. Radio Times advises viewers - no doubt in an attempt to promote 'media literacy' - that some of this content has been "edited"!
However, many other programmes falling within the broad genre of "reality" also include "strong" language. It is not an uncommon experience now to switch across channels in an evening to find that all programmes at or after 9.00pm are prefaced by warnings of "strong language", even in programmes where it would not be expected. For example the recent Channel 4 series 'Jamie's Kitchen'.
A range of programmes are prefaced by warnings about "strong language" including 'Apply Immediately', BBC2, 28 May, 'State of Play', BBC1, 22 June, 'Bernard's Bombay Dream', Channel 4, 26 June, 'Club Reps', ITV1, 3 July, 'Porn: a family business', Channel 4, 3 July.
A letter to The Times, 26/5/2003, made a similar observation and said:
"To call offensive expletives 'strong language' is to imbue them
with a spurious glamour. There is
nothing strong about swearing. Perhaps
the television authorities should consider saying: 'The following programme
contains gratuitously offensive language'.
Or better still, eliminate the 'strong' language altogether."
We recall that the former chairman of the BBC Governors, Lord Hussey of North Bradley, gave a public undertaking in February 1988 to:
"take firm steps to eradicate unnecessary
and gratuitous violence, sex and bad language from our programmes".
An undertaking that has yet to be fulfilled!
PURCHASING POWER
B |
ad language on television has become such a frequent occurrence that it is virtually impossible on some evenings to avoid it except by switching off the television altogether. We have no sympathy for BBC Information officials who say to correspondents who protest:
"The BBC is a public service financed by the licence fee, and as such must provide films which cater for the whole range of legitimate tastes in film today … as the supply of feature films designed for family viewing diminishes …"
The broadcasters
have substantial budgets available for feature films and they should surely
exercise some of their purchasing power by refusing to buy the television
rights of films that are likely to offend public feeling.
The present level of obscene, abusive and insulting
language on television is unacceptable and out of step with public
expectations, as established by the regulators in their own research. We therefore call upon the broadcasters to
take immediate meaningful steps to substantially reduce the volume of swearing
and profanity in television programmes.
mediawatch-uk very much welcomes the recent announcement by J D Weatherspoons that they will ban drinkers who use foul language in their public houses. Let us hope that broadcasters and others will follow this brave and courageous lead.
Click here for 'The Daily Grunt' news release
Click here for The Daily Grunt Part 2
Click here for Swearing on TV – historical and regulatory perspectives
Click here for Joining Form
Click here for mediawatch-uk directory
Now 'TV children' must be taught to speak
Y |
oungsters raised on a diet of television and
computer games are to be given speaking lessons. Ministers are planning the
extra instruction for children who cannot talk properly by the time they start
school. Experts blame the decline in language skills on today's 'daily grunt'
culture in which parents let their children spend hours in front of the
television or computer instead of talking to them.
Daily Mail 2/6/2003
For news
and information visit: www.nationalliteracytrust.org.uk
John
Beyer, Director of mediawatch-uk said today that the broadcasters can no longer
shirk from their responsibilities in this regard. "In an age of
sophisticated global communications it is extraordinary that this problem among
our children has arisen. The onus is surely on programme makers and presenters
to improve their speech and set good example so that communications skills
improve. This is a matter that simply cannot be passed over to parents and
teachers: the influential media must play its part in undoing some of the
damage caused.
This
visual junk diet of soaps, smut and vulgar language
Writing in the Daily Mail 17/7/2003 Yasmin Alibhai-Brown noted that "there are still people who care enough to monitor and complain about the way our national language has been so debased in recent years by the purveyors of popular culture, the mediawallahs, film makers and the ultra cool creators of pop music."
"As
someone from the Left, I am not expected to object to the spread of bad
language and other squalid habits infecting our society … There are many of us
today on the Left who can see that something precious, possibly unrecoverable,
is being destroyed and that we have a responsibility to try to stop this
dissolution … The corruption of language in public culture is just one aspect
of the general coarsening of life which is taking us down into the pits. Television, in particular, has now reached
such depths it is hard to imagine where it can go next. If, as I did recently, you try to debate
this genuine anxiety, felt by millions, with the highly placed men and women
who are responsible for British TV, they will not engage except with majestic
disdain and superciliousness. Or they
react with fearful paranoia as if we wanted to shut down the whole business and
force the nation into bible-reading every evening. It is time, I believe, to take an honest look at all television
output. Never in our history have
British children had such relentless, often third rate, shrill and brainless
television programming that they are offered today. It was Aristotle who said that law makers should be extremely
careful about indecent language 'for the light utterance of shameful words
leads soon the shameful actions'. Maybe
if we had been more vigilant with the words, much of the depressing coarsening
of life could have been avoided."